Week 4 project development
-English at oxford
-text and performance drama
-2002 assistant director
- 14 years director and assistant
-the lover
-pre Madonna
-last curiosity
-female scientist dancing structures of
crystal dna project
off beat in certain ways
-
it took two years high profile
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public property
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three week run
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cerntral London
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sam fiere Jackson second play
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cast of three
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all male gay man PR auto
biography
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pr set up for the news reporter
with the 16 years old
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3 gay characyer was not a gay
play not relation with men and not coming out of their parents
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about media and pr politicly
moving gay character in the main stream \
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humour comedy
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fast pace, one liner, moment,
quick and don’t see it coming
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production television father wrote
script of channel 4 news
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actor Germany drama school
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parts of nazi
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started writing
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old vic new voices
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six mouth later to perform a
reading of the whole play
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5 days rehearsal
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trusting instinc
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make sure your comfortable to
be a creative director
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and be prepared
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make sure you make notes
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producer 9 mouths
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lighting, set, and sound
designer
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Production designer
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assistant director and stage manager
casting
30 40 grand
producer
private investment, art council
an event pay to see sth
mismatch of high profile, and low budget
working as associate director
prc casting
imagination pushes forward
choose the actor that you can work with
simple precise
less words more imaginative space for
actors
historical natratvue
5oclock after this class
one hour
two people talking about each other
digital media lecture cancel
stop an hour
kevin bacon
alexandar
museum digital archive
arts a 71
for week 5 power point more information
photography after photography Tuesday 8th
novemeber
sinna city Tuesday 15th
novemeber
dialogue intead of lecture
ways of telling story
components of experience we have
telling stories
genre own work visual and aesthestic style
communicate the narrative and how it might
be
PLANNING
PLOTTING
AND SKETCHING IT OUT
Story boards, maps, diagrams, montage, composition (framing)
Structure narrative,
Represent the planning of the project
Transitions
In congrast time
Framing tension intensity
Or build
How you map the relationship to things
What affinities they might have
What might sit on the level experience weight
Spiral diagram
Layers and levels
Of
Experimentation
Visual
Trying out lighting on paper and after
effects
Experiment CONTIOUS conscious
Art history lecture
Composition or narrative
Email
Artist
And pieces suggestions
Standing on shoulders of gaints
Own visual style copy 5 seconds of it
Recreate work
Narrativeor dialogue
Radically change the colour palette
Or other visual element to change the
narrative
How does it change the work
Sound experiments experiment you done and
set it to music
Mapping other prijects find a project you
like try to draw a narrative and connections as a map
Colour palettes film tv or animation
Two ways try to change how it feels and
different from the original
Minmalist story anime
Key moments and key things
The experience and
Emotion or reaction
What and how you achieve that
Unpick other work of other people how you
could do it for yourself
Developing your own style
And finding your audience
Getting your work funded
Transferable
Ways to craft a message get the intended
respond from art council film festival
Different from assessment
Different register
Presenting could be different
Next term
Funding
Tool kit DEVELOPING YOUR OWN VOICE AND
STYLE
NOT BEING SHAPED BY OUTSIDE VOICES
I wanna be yours animation video dance
ASSIGNMENT - due after
reading week - YOUR PROJECT
print full screen
TELL US ABOUT YOUR PROJECT:
Write out what you want to do in no
more than 3 sentences.
-and-
Come up with:
1.
diagram showing narrative/flow/connections
2. images - make 3 images showing the ideal look/feel of the project do it yourself a collage or a
mood book
max msp email images to for sure confirm
3. sound - thinking
about how other projects use sound, write 3-5 sentences about the kind of sound
your project will have make sounds
Mostly Diagetic sound
humans went through a big squeeze
volcanic eruption disease or climate change to reduce breeding adults to about 1000 sometie in the past 100,000
the last ancestor they shared with
humans about 6000,000 years ago
therefore we come from very similar
backgorunds and familys compared to other spices we have less genetic variety
through this finding the similarities of human beings in genral
emotions: memories, traveling,
similar experience that city or urban life will have modern age 90s modern life
urban city
Human Genome
Building DNA
We are made out of same particles therefore share the same feelings emotion, we are more alike then any other spices on earth, however, we seem to live the most separate from each other compared to other animals.
Inglourious Basterds: Making Fun of You
break the forth wall
clockwork orange
Charlie chaplin
Audience look at them selves at the
end of the film as the film will be in first person going through different
emotions and experience of life that many living in urban city will share
Happy friends hang out
Sad break up friends lied and he
hates him feel sad
Angry strangers but good person
Annoyed family loving
Bored alone inspiring
Excited love sex
Eating
Having sex
Characters looking breaking the
forth wall and the person talking to himself
Through the jouerney of going
through a day evolke different emotions at the end of the day looking at a
mirror
And ask these questions to myself
To produce
The questions of that human
commonly ask
Death
Time
Use
Information over load
Addiction
movement and static cuts
cuts on movement makes audience on the toes cause can not predict the cut
use of weather that adds a layer of emotion
with character gesture that goes through out the film audience can easily recognise character
put character feeling on to the outside atmosphere
cut on movement for surprise, camera movement for excitement
The Fondation Cartier invited United Visual Artists to collaborate on ‘The Great Animal Orchestra’, the 2016 exhibition that celebrates the work of musician, bio-acoustician and scientist Bernie Krause.
Krause has been recording animals for 45 years and has amassed a collection of more than 5,000 hours of sounds recordings of over 15,000 individual species in their natural habitats from all over the world.
Our creative approach links together the various exhibition content elements throughout the basement space - soundscapes, spectrograms and art works – into a cohesive, immersive experience that 3-dimensionalises Krause’s recordings and suggests scenes from the natural world.
The spectrograms form an abstract landscape, an interpretation of the various global locations and times of day that Krause made the original recordings in a way that envelops the audience and encourages them to linger in the space.
Practice
Test 1 Spetrogram combined three layers and gradient inspired by the above, i learn these techniques through youtube. And applied them in my own shapes and paths, as well as the gradient add on
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